Even when he’s present, he’s an absence. He speaks in a muted, often indecipherable mumble; it seems less an exaggeration of Elvis’ real speaking voice than a manifestation of his inner uncertainty. To think back on Elordi’s performance is to see a smudge where a person should be, like the subject free movies of a daguerreotype who couldn’t sit still long enough to be captured in focus. That’s because we’re viewing him through Priscilla’s eyes—this Elvis is a dream she walked through, but also a dream she walked with. Though Elvis has been gone now for such a long time, he’s with her forever.
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Yet it’s surprising that it has taken until the first quarter of the 21st century for Elvis’ story to shimmer, in any significant way, onto the big screen. In 2022, Austin Butler was the alluring, ever-spinning center of Baz Luhrmann’s kaleidoscope dazzler Elvis. And with her new film Priscilla, Sofia Coppola puts the focus on the woman who became Elvis’ wife, Priscilla Beaulieu, played with extraordinary grace by Cailee Spaeny. Elvis, in this case, is a satellite, a servant to her story, and he’s played by Australian actor Jacob Elordi.
The suggestion of both movies is that Elvis, like an eclipse of the sun, is too dazzling, too potentially disorienting, to be viewed without a filter. We all like a horror movie that’s more fun and silly than it is scary, but if Five Nights at Freddy’s left you hungering for some genuine horror, it’ll be hard to beat When Evil Lurks, now streaming on Shudder. The latest from Argentinian director Demián Rugna, When Evil Lurks might be the scariest movie of 2023, and it follows the residents of a small town once they discover that a demon is about to be born. Their attempts to flee or to prevent the demon from entering the world don’t, ah, go well. October 20, 2023 • The compelling new film Killers of the Flower Moon is a sweeping three-and-half-hour-long crime saga, romance and Western. Directed by Martin Scorsese, it’s told through the lens of a marriage in 1920s Oklahoma.
October 17, 2023 • Sometimes there’s a time and place for a long movie — whether it’s because you’ve got an afternoon off, or you just aren’t in the mood to flip from one entertainment to another. Martin Scorsese’s latest movie Killers of the Flower Moon clocks in at over three hours, so today we’re recommending other great movies over three hours long. Social media users reacted to news that Disney pushed back the premiere of its live-action “Snow White” reboot until 2025, speculating it was due to conservative backlash. You may occasionally receive promotional content from the Los Angeles Times. As part of your account, you’ll receive occasional updates and offers from New York, which you can opt out of anytime. This email will be used to sign into all New York sites.
Quotes displayed in real-time or delayed by at least 15 minutes. Powered and implemented by FactSet Digital Solutions. Mutual Fund and ETF data provided by Refinitiv Lipper. The Elvis we meet in Priscilla is just about a year out from the grief-stricken one—the one who’d been curled into a defensive ball in his recently deceased mother’s closet—we saw in Elvis.
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The two movies aren’t exactly knockouts in the world of horror, but they get the job done for me. The Nun II is actually much better than the original as Taissa Farmiga’s Sister Irene must investigate the return of Valak, the scary looking nun/demon from The Conjuring 2. For some of us, there’s no such thing as too much Elvis; for others, two Elvises within two years are two Elvises too many.
A failing pharmaceutical company in Central Florida engages in a criminal conspiracy? (And, a pretty good premise for a movie.) Emily Blunt stars opposite Chris Evans as a high-school dropout who gets herself involved in the deadly drug happenings. Official discussions will be your go-to place for reviews/reactions/discussion of that movie and applies for 4 weeks after the U.S. release date. Anything that isn’t official, hard-lined news about comic book movies/Superhero movies will be removed. No featurettes, fan art, parodies, etc.
But Elordi’s performance, more than Butler’s, captures Elvis’ shadowy side, and his surprising capacity for clueless cruelty. The timeline of Priscilla coincides largely with a dip in Elvis’ popularity. When he returned from the service, he made movies he wasn’t happy with, and for a time, the Beatles’ rise would leave him in the dust. He would roar back, a phoenix decked out in black leather, in his 1968 comeback special, and would become a massive, jumpsuited draw in Vegas after that. But through much of Priscilla, Elvis is a disappointment to himself and to others. Formative for children of the 2000s, Shawn Levy’s film is still a whole lot of fun and a great pairing for Five Nights at Freddy’s.
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Both Elvis and Priscilla present a vision of Elvis framed by a third party, rather than one viewed directly, with the luxury of omniscience, by the person behind the camera. Luhrmann shapes Elvis’ story through the eyes of Parker, the man who helped make him and did more than his share to break him. And in Priscilla, Elvis, for once, isn’t the center of attention; it’s Priscilla’s experience that matters.
And in these very different characterizations, Butler and Elordi are strangely in tune, chiming together as they seek the truth behind a man who will always be a mystery. Spaeny’s performance, as the schoolgirl who fell for Elvis at 14 and left him at 27, is remarkable; she refuses to present Priscilla as a victim. She and Coppola allow even the very young Priscilla her dignity as a grownup-in-training. At one point, while Priscilla is still a teenager, fully under the sway of Elvis’ charms, her mother suggests she might want to date some nice boys her own age. With a single disdainful glance, Spaeny’s Priscilla shoots that suggestion down like an ace marksman shattering a clay pigeon. She’s made up her mind; this is Elvis we’re talking about.
Elordi’s Elvis is a living ghost, the kind you never get over. The love of your life, the messy mistake that wasn’t a mistake at all. It’s too weird to explain my reasoning for which horror movies I can tolerate, but The Conjuring franchises are on that list — even The Nun series!
He asks her simple questions, ascertaining her age—and being surprised by it—when she tells him she’s in the ninth grade. A modern appraisal of the Elvis-and-Priscilla meeting might be to automatically assume he was sexually grooming her from the start, but that’s not how Elordi and Spaeny play it. Instead, their meeting is a kind of mutual spell spun of loneliness and dislocation. Elvis is still quivering with sorrow over the loss of his mother. Young Priscilla, smart, open-hearted, possessed of nascent wisdom that will eventually serve her well, warms to him—not just because he’s Elvis, but also because he’s a creature in need. Filter by genre, release year, or streaming service.
It stars Lily Gladstone as an Osage woman and Leonardo DiCaprio as the low-level white thug who professes to love her. But he continues to do the bidding of his uncle (Robert De Niro), who’s stealing from and murdering her people. This material may not be published, broadcast, rewritten, or redistributed.
He’s in the service, stationed in Germany; Priscilla, whose father is an officer in the Air Force, is stuck there too, having been whisked away from her friends back home in Texas. Priscilla is invited to a party at Elvis’ rented house; her parents, after some persuading, allow her to go. Elordi’s Elvis greets her—in her tasteful schoolgirl dress, her hair swept back in a simple ponytail—not in an appraising way but with a sense of wondrous curiosity.
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